how high the moon improvisation

How high the moon 3. [12], In addition to such nonsensical uses of language, humor is communicated in scat singing through the use of musical quotation. But I must take the credit away, since I know better. In her 1960 recording of "How High the Moon" live in Berlin, she quotes over a dozen songs, including "The Peanut Vendor," "Heat Wave," "A-Tisket, A-Tasket," and "Smoke Gets in Your Eyes."[14]. The comparison of the scatting styles of Ella Fitzgerald and Sarah Vaughan reveals that Fitzgerald's improvisation mimics[a] the sounds of swing-era big bands with which she performed, while Vaughan's mimics[b] that of her accompanying bop-era small combos. Later on, implement the One Note Shape over Maj6, minor and Dom7/9 as well. So this is a great exercise for you to start mastering the One Note Shape over songs. I make a skeleton of the flow first, and then I put words into it. By the way, scat is something that a lot of people don't understand, and they begin to believe that the first scat numbers was ever done, was done by one of my hometown boys, Louie Armstrong. "[36] And many did: Eddie Jefferson, Betty Carter, Anita O'Day, Joe Carroll, Sarah Vaughan, Carmen McRae, Jon Hendricks, Babs Gonzales, and Dizzy Gillespie were all singers in the idiom.[27]. '"[17], Armstrong's "Heebie Jeebies" became a national bestseller and, consequently, the practice of scatting "became closely associated with Armstrong. 3 1 O 1 P. 3. Fun Fact: Joe Pass is known for his work with jazz greats such as Oscar Peterson and Ella Fitzgerald. [17] One early master of ragtime scat singing was Gene Greene who recorded scat choruses in his song "King of the Bungaloos" and several others between 1911 and 1917. 2 O. 1. II - A Major II V - G Nat. [44] Especially when bebop was developing, singers found scat to be the best way to adequately engage in the performance of jazz. "[24] Don Redman and Fletcher Henderson also featured scat vocals in their 1925 recording of "My Papa Doesn't Two-Time No Time" five months prior to Armstrong's 1926 recording of "Heebie Jeebies. [32] An example is their version of "It Don't Mean a Thing (If It Ain't Got That Swing). (EDIT:this kinda went from 'How would I go about improvising over How High The Moon', to 'How Would Go About Improvising'. Watch the video for How High the Moon from Modern Jazz Quartet's The Modern Jazz Quartet, 09.12.1959 Bonn, Beethovenhalle for free, and see the artwork, lyrics and similar artists. Minor Major I - G Major G Minor or Bb Major Major (*G Dorian works too) I - Eb Major I - G Nat. Morton: "Oh, I'll sing you some scat songs. Although Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first modern song to employ scatting,[15][16] there are many earlier examples. 7:26. In this Guitar lesson, Steve Luciano teaches Chord Analysis as part of our Guitar series on Jazz Improvisation - How High the Moon. 7. Get access "My Funny Valentine" Demo 4 mins. Improvisational singing of nonsense syllables occurs in many cultures, such as diddling or lilting in Britain or Ireland, German yodeling, Sámi joik, and speaking in tongues in various religious traditions. Abmi7 2 O. George Marton pianist accompanied by Sam Carothers - bass guitar and Cam Jobson - drums. 3. Many popular versions of this tune have been recorded throughout the years. "[36] He also wrote the lyrics to the jazz song "Whisper Not," which Ella Fitzgerald then recorded on her 1966 Verve release of the same name. D7 1. [43], Scat singing can allow jazz singers to have the same improvisational opportunities as jazz instrumentalists: scatting can be rhythmically and harmonically improvisational without concern about destroying the lyric. Bandleader Cab Calloway exemplified the use of humorous scatting. Lomax: "What does scat mean?" [35], Over the years, as jazz music developed and grew in complexity, scat singing did as well. How High The Moon Lyrics: Somewhere there's music / How faint the tune / Somewhere there's heaven / How high the moon / There is no moon above / When love … [13] Similarly, Ella Fitzgerald's scatting, for example, drew extensively on popular music. This part is about improvisation and is a follow up on How High The Moon – Part one.. Saved by Gilligan Gilligan Which pedals were instant keepers for you, no drama, no doubts. New sound for Improvisation How High The Moon. C7. 3 G 7 mi 1 4 P. Bbmi75b (C79b13b) 4. Some notable vocal bass artists are Tim Foust, Adam Chance, Bobby McFerrin, Al Jarreau, Reggie Watts, Alvin Chea, Joe Santoni, Avi Kaplan, Scott Hoying, Matt Sallee and Geoff Castellucci. And to my surprise they all came running out of the controlling booth and said—'Leave That In. . . Solo étude 4. . Bebop Improvisation - #2 Arpeggios Into Scales - Guitar Lesson - Fareed Haque - Duration: 7:26. [27] In much African music, "human voice and instruments assume a kind of musical parity" and are "at times so close in timbre and so inextricably interwoven within the music's fabric as to be nearly indistinguishable. . In June 1927, Harry Barris and Bing Crosby of bandleader Paul Whiteman's "The Rhythm Boys" scatted on several songs including "Mississippi Mud," which Barris had composed. II - D Major II V - C Nat. How high the moon (1940) by Morgan Lewis, a nice and easy-going jazz standard, with a catchy melody. Vocal bass is a form of scat singing that is intended to vocally simulate instrumental basslines that are typically performed by bass players. [15] In a possibly apocryphal story,[26] Armstrong claimed that, when he was recording "Heebie Jeebies" with his band The Hot Five, his sheet music fell off the stand and onto the ground. [45][47] Music critic Will Friedwald has written that Louis Armstrong's scatting, for example, "has tapped into his own core of emotion," releasing emotions "so deep, so real" that they are unspeakable; his words "bypass our ears and our brains and go directly for our hearts and souls. [15] From the 1926 recording of "Heebie Jeebies" arose the techniques that would form the foundation of modern scat. Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. "How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. LIVE CONCERT - How High The Moon. Syllable choice influences the pitch articulation, coloration, and resonance of the performance. Vanaf €1,00 1 3 2 O. History and overview: “How High The Moon” was THE jam session tune of the 1940s and 50s. Free jazz and the influence of world musicians on the medium pushed jazz singing nearer to avant-garde art music. Cmaj7 C6 Cm7 F7 Some He took the scat singing idea and applied it to the works of Bach, creating The Swingle Singers. . How high the moon - Epiphone Es 339 Jazz improvisation - YouTube. TrueFire 98,303 views. For a better experience, please enable JavaScript in your browser before proceeding. Recommended by The Wall Street Journal Many jazz singers, including Bessie Smith, Billie Holiday, Jimmy Rushing, and Dinah Washington, have avoided scat entirely. 4. [1] During this 1930s era, other famous scat singers included Scatman Crothers[34]—who would go on to movie and television fame[34]—and British dance band trumpeter and vocalist Nat Gonella[35] whose scat-singing recordings were banned[c] in Nazi Germany. 1. Now I’m not sure I was. Scat singing was also used by Louis Prima and others in the song "I Wan'na Be Like You" in Disney's The Jungle Book (1967). Jazz pianist Jelly Roll Morton credited Joe Sims of Vicksburg, Mississippi, as the creator of scat around the turn of the 20th century. So what do y'all think about the Dave Mustaine Gibsons? [20] Cliff "Ukulele Ike" Edwards scatted an interlude on his 1923 "Old Fashioned Love" in lieu of using an instrumental soloist. "[32] The Boswell Sisters' "inventive use of scat singing was a source for Ella Fitzgerald. Update [42] In West African music, it is typical to convert drum rhythms into vocal melodies; common rhythmic patterns are assigned specific syllabic translations. [27], Others have proposed that scat singing arose from jazz musicians' practice of formulating riffs vocally before performing them instrumentally. Enjoy watching! [27], Following the success of Armstrong's "Heebie Jeebies," a number of popular songs featured scat singing. This performance of the oft-played and recorded "How High the Moon" is played at, what I would describe as, a brisk organ trio 'jump' tempo, propelled by Joe Dukes with his hi-hat closing on 2 & 4, and his cross-stick hitting the snare on beat 4. In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all.

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